It’s been a year, but I still have a hard time describing just how much Dean Drummond meant to me. A year later, and his passing still touches me deeply.
Dean Drummond was just another one of my teachers in college. I had taken classes with him, and I had been in his ensembles, and that may not sound like much. But to me and to a good handful of students like me, he was so much more than just a teacher.
Dean was in charge of the Harry Partch instruments, and beginning in the fall of 1999 (just like me) Dean and his unique group of instruments came to Montclair State University. Yes, we called them the Dr. Seuss instruments (go ahead and google the insane genius Harry Partch, I’ll wait), but those of us who got to know the instruments developed a strong love for both the instruments, the legend of Harry Partch and Dean himself.
When I tell you that Dean is the main reason why I remained at Montclair, it is not a lie or a stretch of the truth. I could have studied music theory anywhere; there is only one college where a student could study on the Harry Partch instruments, and that’s at Montclair State University. I didn’t go there with Partch in mind, but this is one happy accident that I am most thankful for.
Even after I left Montclair, I was still happy to hear about the program flourishing. Dean once even assured me that the “Partch students continue to be the coolest students in the music school” (yes, that’s a direct quote from an email he once sent me).
To honor Dean’s memory, the university has so kindly decided to kick the instruments off campus. Well, I guess I should be a little clearer. It’s not like whomever makes these kinds of decisions sat down and said, “what’s the most insulting thing that we can do for a faculty member who has passed away?” but that’s essentially what they have done, and I know I’m not the only one who is livid about this decision.
However. I’m not going to dwell. At least, I’m not going to dwell on the negative. Instead, here is a roundup of articles written about Dean, leading off with my favorite. The author, Elizabeth Brown, is a composer who wrote a few pieces for the Partch instruments. It is my favorite of all the articles written in the last year because of her close ties with Dean. They had a long and great working relationship, and the article is peppered with email correspondence between she and Dean. I miss his humor.
You could, of course, read his obituary in the New York Times, or in the LA Times, or jump right to his wikipedia page. You could also have a listen to an episode of New Sounds that aired the Thursday after Dean passed last year.
One last thing I’m going to do, and I hope you will do as well, is visit this fundraiser on Indiegogo. It’s not specifically for anything directly Dean related, but it’s for Partch, and Partch is what Dean devoted much of his musical career to. There is a production of one of Partch’s bigger pieces, The Wayward, planned for Carnegie Hall, and they additionally are filming a documentary on the production as well. It is my hope – and probably the hopes of many others – that this documentary will have a positive impact on the music education world, and the Partch instruments will find a new home where students can continue to learn about and explore the magical world of Partch.
It’s what Dean would have wanted.